Tuesday, December 19, 2006

Physical Sculpting is Now Very Popular



The Feminist Revolution taking a sensual route ?


Increasingly women have been finding it safe for self-expressionalist ideas about themselves, their bodies, and their sensualities. Bi -Sexuality for females are on the increase too ! ...as the search for tenderness and inner freedom of exploration of feelings mounts with increased emotional expectations, while anxieties about men are now becoming more complex. Men are having a hard time in this supply column, but are looking for a way to meet such expectations at the sametime.


The full measure of dedication is how you present yourself as well as market yourself; this has pushed many in several unique adventures, and paths of personal explorations. On this note - blog you'll find information about individual efforts in promoting themselves, the arts, activities and perceptual innovations, along with descriptions of our special personal achievements. It your hopes in being positive where you will find all of the information you are looking for about a successful life.

Lastly, with the advent of the feminist revolution during the last half of the 20th century, most recently the cultural, social, and spiritual revolutions are now being socioeconomically implace within American society. There is a growing diverse network of women discovering the various uniqueness they have, and have since the early 90s initiated the first sub-cultural components, along with their unique traditions of establishment. In looking at the full picture of what has happened is that women are united in common emergency issues, but are becoming less united in others.

There has been one very sad note though, is that women are now victimizing~humiliating other women: and thus, very much like the infra-cultural of men who developed physical dominance power columns, in which victimization and humiliation is used as tools of power, a similar column is now growing within the infra-cultrue of women.


Painting:


It is upon a canvas where both an internal creative will, and dreamscapes of how reality could be visualized cause the artist of the 19th century to go beyond the boundaries of trying to paint what they saw. Instead, especially after the painting of the Rouen Cathedral, when innovations and creativity became clearly established components of the art world, they sought to find new, and then even newer limits to cross. And indeed, they crossed several. But, nonetheless, and at the sametime they expanded the frontiers of democracy, as their art led the way to new social, cultural, spiritual, and political visions. They are still pushing the very frontiers of human art perceptions. This fostered the immediate need for social reforms. Especially, when those who took up the brush found themselves wanting for bare necessities-often causing many to loose their middle class stations in life as a result of their art adventures. Thye became pooer for their pssion to express ----why? And it is here, and here alone, when the Les Avant Garde becomes the democractic precticum. Thus an important connection between art and public policy developement was their embraced passions during the stuggle of the early and mid twentieth century.

The Herbert F. Johnson Museum of Art Presents A Private Eye: Dada, Surrealism, and More from the Brandt Collection Over 150 works by artists including Man Ray, Marcel Duchamp, Salvador Dalí, and many others

Ithaca, NY—The Herbert F. Johnson Museum of Art at Cornell University presents A Private Eye: Dada, Surrealism, and More from the Brandt Collection, on view from October 21 to December 24, 2006.


“The Johnson Museum is fortunate to have such dedicated alumni collectors as Dr. Arthur Brandt, who over the years has made many significant long-term loans to the permanent collection,” said Andrea Inselmann, curator of modern and contemporary art at the Johnson Museum. “Thanks to the Brandt family, in the past the Museum has been able to present to its visitors Pablo Picasso’s Woman’s Head (Fernande), one of the major works in the history of cubist sculpture, as well as important works by Le Corbusier, Max Ernst, and Alexander Archipenko.”

With this exhibition from the Brandt collection, the Museum will present works by Man Ray, Marcel Duchamp, George Grosz, Hannah Höch, Francis Picabia, and Kurt Schwitters, who were all active in the complex and diffuse Dada movement in the 1910s and 1920s in cities such as Zurich, Berlin, Paris, Hannover, and New York. Including over 150 works, the exhibition also reaches into other movements of the early twentieth century, such as Surrealist drawings and paintings by Kurt Seligmann, Hans Bellmer, Yves Tanguy, Dorothea Tanning, and Valentine Hugo. In addition, works representing cubism, constructivism, and suprematism provide a wonderfully eclectic view of early Modern art.

Wednesday, December 13, 2006


Ithaca has one of the most radically committed corps of artists for such a small academic related community.

***

Picasso. complex as art itself. Always probing - discovering.



The complete Artist is always home in the exploration of art, the driving passions. and right after an art exhbit featuring his works, the swet of anxiety during his renderings, is suddenly overshadowed by the recognitions each artists finally recieves.

The works here, every one, took a force of imagination, along with personal courage and most of all idenity finding-which precludes all forms of acceptance finding. These examples were carefully selected. Can you tell us why ? If you have trouble, it is then advised for you to look more closely over in the entire contents of this WebSite.

Precieving the Perceptions !
Mr. Roger M. Christian, Ithaca, New York.
Looking at a marble slab and discovering within its majestic strength a " David . "

Developing the image and shades of light and dark.

Elisabeth Gross-Marks



When I was 11 years old , I decided to become an artist. I have been painting ever since.
During the last 10 years I did abstract paintings in oil and acrylics. A year ago I started to do collages. I discovered all kinds of wonderful papers. I cut them, tore them, painted on them and used them for the pictures. Then I went to a fabric store and found all these interesting materials in different textures and colors. I am excited about the movements of the folds and the light on the fabrics.

Whatever I am working on., the bright colors are what attracts me. I have an inner picture like a kaleidoscope of bright colors that I am chasing after, seeking order for the abundance of possibilities or allowing myself to create exuberance and excitement.
It is a never-ending process.
Some of here recent additions to the world.
A Recent Painting.

A Recent Painting

Friday, December 01, 2006



In every vein of an artist perceptual cognition of what they are to produce is the vast emotiuonal wilderness they had to first to cross in order to succesfully convey to their chose public the fact of their art form. But what is not known by either themselves, more often than not, and the public pool of art consumers, is that art has a clandestine social cultural ingram which covertly imprints human behavior - as a result of visualizing the art enviornment-most prevelant at art exhibits world wide.